Beck: 'A devil's haircut can be anything with a lot of architecture and wild flights of fancy'

Genre-fluid singer Beck reflects on a decades-long career, the creative process behind his new album Ride Lonesome and the shifting balance between his 'funky' and 'lonesome' musical sides.

Beck, the eclectic musician who rose to prominence in the late 1980s, told readers he keeps making music because he cannot imagine doing anything else, describing songwriting as a labour of persistence that he pursues whether or not commercial success follows. His comments accompany the release of his latest record, Ride Lonesome, which received a five-star review from Alexis Petridis.

On sustaining a career that spans more than three decades, Beck said: 'It's a good question. I don't really know any other life.' He likened the work to mining for material — 'a lot of digging' — and said that even if he had to take up another trade he would still write songs for himself, because that was how his creative life began.

Asked about the alternating styles that have marked his catalogue, Beck acknowledged a tension between the upbeat, sample-driven pop that made him widely known and a quieter, more introspective strain of songwriting. 'Probably lonesome,' he said when pushed to identify his intrinsic self, adding that the more extroverted output pulled him out of a tendency to be 'ponderous.' He called earlier hits such as 'Loser' and the Odelay era 'more of a fluke' — records that matched the moment — and suggested public taste has since shifted.

He also took listeners' questions on a range of other topics, including a much-discussed MTV interview with Thurston Moore and an onstage appearance involving what was described as a 'chain-smoking alcoholic robot.' While he did not elaborate at length in the exchanges, he addressed why he sometimes agrees to unconventional performances and collaborations, framing them as part of the exploratory impulse that has guided his career.

Ride Lonesome continues the pattern of stylistic restlessness Beck has cultivated across albums: alternating moods and approaches while pursuing a larger body of work. His comments underline a pragmatic, craft-focused view of artistry — one that views songs as the durable outcomes of ongoing, sometimes solitary labour rather than the byproduct of a single commercial identity.